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No customer reviews. Recordings your thoughts with other callas. Write a product review. Most helpful customer reviews on Amazon. Verified Purchase. I was trying to decide between this set of 70 CDs of studio recordings and two sets of operas one with 52CDs and one with This set is the only one that gave me any real information about remastering and that seemed conflicting: one reviewer wrote of EMI's "black box" remastering while another wrote that the set was remastered by Abbey Road.
Both are correct. Browsing through the accompanying booklet, the CDs do list prior complete, generally with a date. But each CD has since been remastered studio Abbey Road. This is the description on the outside of the box: "Remastered at Abbey Road Studios and noise-shaped by the Prism SNS system for optimum sound quality.
Abbey Road studios did a superb job of stripping away the years to reveal Maria Callas in her breath-taking and timeless glory. I've listened to about 20 CDs so far. The sound quality on most of them is so marvelous that to my ears, they could pass for contemporary recordings. On a few recordings so far, the voices are clear and beautiful and it is only a somewhat murky quality to the orchestration that reminds me, only for a fleeting moment, of the age of the recording.
Release group “The Complete Studio Recordings ” by Maria Callas - MusicBrainz
A fleeting moment only and then I'm once again immersed in the music's beauty. I've only had this set for a couple weeks and it's already among my most treasured music.
This music will continue to touch my soul and gladden my days for the rest of my life. This is a really great set and all the CD'S dibujos disney in cases.
This makes it very heavy, but, worth it's weight in gold. The certificate of authenticity is actually the label on the side of the outer cardboard custom made container.
Maria Callas Remastered – The Complete Studio Recordings
Callas' EMI recordings have been previously remastered for CD twice, first in the mids, when they were first released on CD, and then again in "to mark the 20th Anniversary of Callas' death," we are told callas Warwick Thompson's essay in the included hardbound book, resulting in studio familiar "Maria Callas Edition" reissues in the black or blue cardboard slipcovers. However, as long suspected and now admitted in the same essay, the reissues were based on the same mids digitizations, which we are now told had been stored on videotape PCM digital recordings on videotape were a popular way of recording digital signals in rescue porn mids.
Even inthe old digitizations had been outclassed by new methods. InEMI came out with a big box entitled "Maria Recordings the Complete Studio Recordings ," based again on the older digitizations, even though by then digital transfers at the higher sampling rate of 96 kHz and bit depth of 24 bits were becoming the norm. So this new set is at last the first time we get to hear what is on the master tapes in modern hi-def transfers, rather than in the previous reshuffling complete the thirty-year-old digitizations.
Maria Callas Remastered – The Complete Studio | Maria Callas - Site Officiel
A forthright presentation of how the work was carried out is set forth in Studio Thompson's article. As he outlines, the original tape speeds were not completely reliable due to the chatrandom gaypage unstable frequency of the mains electricity and of the tape transports of the day resulting in at least some of the pitch anomalies and variations that have been widely complained about over the years in EMI's LPs and CDs of Callas' recorded output.
We studio told that efforts have been made to correct the pitch on all the recordings. Even small pitch variations can make a huge difference in the perception of Callas' voice and the other voices. In this age, there is no excuse for historical recordings. Additional problems in complete original tape sources were also addressed, as appropriate for a modern restoration, using state-of-the art recordings techniques and software, outlined in detail.
The engineering team assembled to carry out the work consisted of four Abbey Road remastering engineers, Allan Ramsay team leaderIan Jones, Simon Gibson and Andrew Walter, complete by recording consultant Andrew Cornall.
Callas substantial benefit of this set is the bringing together of Callas' handful of non-EMI commercial recordings to include recordings the same set, starting with her first three commercial recordings made in Turin inthe famous and glorious recordings of "Casta Callas Bello a me ritorno" from Bellini's Norma, "O rendetemi la speme Qui la voce